Star wars revenge of the sith movie#

Star wars revenge of the sith movie#

We sense the tone through the music, as the trumpets get louder and create anxiety throughout the duel.ДЄnother thing that Lucas incorporates into this movie subtly is a good amount of humor. During this scene, we hear a song called вЂњunlimited powerвЂќ, again by the London Symphony Orchestra, and again composed by John Williams. Another example would be when Mace Windu and the Sith Lord duel. For example, in the end of the movie when вЂDarth VaderвЂ™ is being propped up on the table, Lucas chose to put вЂњEnter Lord VaderвЂќ by the London Symphony Orchestra, composed by John Williams, a song that builds anticipation like no other, perfect for this scene. These songs and themes are perfectly placed throughout the film to create a tone in the scene. Lucas uses an array of gorgeous music, spanning from the force theme, to the imperial march, to binary sunset, to the classic Star Wars theme composed by John Williams. During the conversation, Anakin speaks of PadmeвЂ™s beauty, she proclaims she is so in love with him, he repeats the same, and so on.ДЄ technique or characteristic that George Lucas uses in this film and all his films is music. A perfect example of the вЂњvagueвЂќ dialogue can be found during a conversation between Hayden Christensen (Anakin Skywalker) and Natalie Portman (Padme). ItвЂ™s the visuals and the extensive emotions that pilot Revenge of the Sith. But whatвЂ™s odd and relieving about this script, as opposed to the others, is that the dialogue doesnвЂ™t tell the story. Revenge of the Sith doesnвЂ™t waste time on useless characters or plod through the usual Senate meetings or interstellar politics.Д«ecause the material is so passionate in this installment, with so many conflicting emotions and climactic confrontations, LucasвЂ™ storytelling has vastly improved. These relationships are altered, flipped, re-born, and destroyed in the movie. Many say that the whole movie is about the relationships between Hayden Christensen (Anakin Skywalker), Natalie Portman (Padme), and Ewan McGregor (Obi-Wan). Throughout the movie, although at times the dialogue is vague and sometimes cheesy, we see the connections and relationships between many different characters. Lucas re-introduces us to two of the protagonists immediately and emphasizes their relationship. The film begins with action and chaos and continues that theme throughout the entirety of the movie. The first 20 minutes - a breathtaking rollercoaster of explosions and acrobatics, space battles, lightsaber duels - rivals anything weвЂ™ve seen in the series. Although much of the audience already knows what is supposed to happen in the movie, Lucas once again amazes and surprises. Revenge of the Sith puts together a complex plot onto a framework of virtually non-stop action. This blockbuster film released in 2005 perfectly illustrates George LucasвЂ™ cinematic language in ways that we can only sit and watch in awe.

Star Wars: Episode III вЂ“ Revenge of the Sith brings Fantasy/Sci-Fi to life as George Lucas directs another classic.

вЂњA long time ago in a galaxy far, far awayвЂ¦вЂќ